best-emerging-bands-artists

KITTY COEN

artistImage: 
   

Vow of Volition Make the Final Round of the Battle for Warped Tour

The Vans Warped Tour was the first festival for many of us back in the day. As young'ns, it's likely we didn't necessarily think about all that went into figuring out the bands to book and play the whole shebang. Part of that process, at least locally, seems to be through a series "battle of the bands" style competitions specifically for landing a spot on the fest. Quite a few Portland bands have been furiously playing against one another for said spot, and djent/prog metal act Vow of Volition are one of the acts that made it to the finals.

Warped Tour was always the type of festival that included much in the realm of pop punk, punk punk, emo and metal, so Vow of Volition's advancement to the final round is no surprise. Their incredibly technical, at times jazzy metal stands out in Portland's pretty linear popular music scene, and is much worthy of the attention its getting.

Those that want to support Vow of Volition in driving home the permanent spot can go to the Battle for Warped Tour finals Saturday at the Hawthorne Theatre.

   

Adia “Off Grid” (ft. Ifeanyi Elswith)

Adia has enlisted the talents of Ifeanyi Elswith for her latest single and video, "Off Grid". The video was filmed on location in Jamaica and looks like it was a dream to film.

This is a beautifully breezy summer jam with hints of flings, vacations, and secret getaways.

   

JusSol "Sunflow3r"

JusSol has released a new single called "Sunflow3r". For this track she enlisted the help of producer Dre Rodner and the multi-talented Mixed By Darwin.

This is the follow-up to her highly acclaimed 2020 single "Couch Surfer".

   

L'Rain "Find It" in mesmerizing live set

After lighting up a thick stick of incense Taja Cheek a/k/a L’Rain (by day Ms. Cheek is a curatorial assistant at the MoMA PS1 contemporary art center) turns to manipulating a number of electronic modules alongside her bandmates and their guitars/keyboards/drums/digital thingymebobs (taken together the collective itis also named L'Rain, try to keep up here!) as they ease into a musical piece called “Find It” weaving together a sonic tapestry that's built layer-by-layer starting with celestial washes of synth and other ambient clouds of sound eventually joined by percussion with brushed cymbals and tom rolls and then some guitar harmonics produced by hitting the backside of his instrument with a drum mallet and then some cresting waves of saxophone with its trilling tones fed through a swampy layer of echo—with the band enmeshed in a spider’s web of electronic gear, effects pedals, and wiring which they manage to engage in tandem with their more conventional instruments—and then five minutes into the whole thing of building up an entire sonic sculpture, L’Rain, the woman, not the band, leans into the microphone and sings a short vocal line going on to loop her voice in harmony with itself as she continues singing which creates a spinning/spiraling Spirograph-like pattern against which L'rain adds bass into the mix with a melodic winding line (all this twisting and turning is mirrored in the POV camerawork winding in and out of the individual players) and the opening lyric: 

“How did I collect these clouds / from rain that fell for days / feel bad just to feel sane / my mother told me / make a way out of no way / make a way out of no way” and that’s exactly what the musical composition itself does as it builds out its own structure from the inside out, starting from the barest bones and building to criss-crossing patterns of polyrhythms, like an bug spinning a cocoon from within before emerging fully-formed. And it this isn't the perfect musical representation of “making a way out of no way” then I don't know what is. 

And this is just the start of L’Rain’s mini-set, taped for Seattle's KEXP as part of their KEXP At Home series, recorded live in L’Rain’s own Brooklyn environs. The album “Find It” is taken from is called Fatigue and it was released late last month and it’s interesting to compare the two versions studio vs. live. But never mind that because you’ll wanna listen to the album in its entirety asap whether for comparative purposes or not because it’s a heavy, heady, head-spinningly immersive album co-produced between Taja and fellow L'Rainer Andrew Lappin). And it also contains “Two Face” which is the other song heard in the live set above. Returning to the notion of making “a way out of no way” the whole record is a sonic and poetic exploration of the struggle to make sense of the senselessness of the preceding months or years or centuries (take your pick) and to emerge out the other side with something of beauty that's ready to take flight. 

So whether you're already into SAULT or Solange or simply music that's both soulful and boundary-breaking in equal measure then here you have another one for the listening queue. And then for more L’Rain in audiovisual form you can check out some of the clips below, but most of all go listen to Fatigue in its entirety because somewhat contrary to its name it's a galvanizing ride even while taking listeners into the heart of darkness. (Jason Lee)